Showing posts with label 1984. Show all posts
Showing posts with label 1984. Show all posts

Thursday, February 18, 2010

Fantastic Four #269

Fantastic Four #269-"SKYFALL"
Cover Date Aug 1984 Price $.60
Cover Tagline: "Who is Terminus?"
Writer/ Artist: John Byrne

Story- We open the issue with a thoughtful Wyatt Wingfoot, who is the FF's longtime racistly stereotyped Native American compatriot. He's standing and surveying the open desert, thinking how he is a day away from taking over as the Chief of his tribe. Wyatt slightly laments this fact, because he has shared so many globetrotting adventures "off the reservation." (couldn't resist)


All of a sudden, our pondering guest star is surprised by a giant beam coming down from the sky, blasting the desert ground around him. Think of Wyatt as an ant, and the beam like a focused light from a giant magnifying glass, and you have the picture. Knowing that this big beam means trouble for his tribe, Wingfoot runs off to alert the proper authorities--you guessed it-- the Fantastic Four! After all, if you could call them, wouldn't you?


We jump to a lunch date between Johnny and some dirty skan--I mean young, fashionable lady named Shar. the two are catching up, because at this point in comics history the Fantastic Four had just returned from fighting a "Secret War" in space. While they're conversing, Alicia Masters, Ben Grimm's ex-girlfriend and blind friend of the FF walks by looking a bit lost. Johnny totally ditches Shar and proceeds to help Alicia cross the street, because she was looking for the museum. That's the punchline to the old joke "Why did the blind girl cross the road?" Anyway, Johnny approaches the whole thing with trepidation because Alicia's former lover, the aforementioned Benjamin Grimm, decided to stay in space and continue fighting the aforementioned "Secret War."


We cut to the Baxter Building, the home base of the Fantastic Four, where we find a contemplative Susan Storm. Wow, there really was a lot of contemplating going on back in the 80's, at least in comics. Sue is thinking about recently losing her 2nd child (in issue 267) due to her cosmically irradiated cells, and how sad it is that the doctor told her not to have any more kids. As she wallows in guilt, her young son Franklin busts in and asks where the heck Ben is, and if the family can go to their home in Connecticut. At this point in the comics, Sue and Reed had set up secret identities in a suburban neighborhood to try and give Franklin some sense of normalcy. You think Reed would have calculated that would be a waste of time ,given the FF's propensity for epic adventures, but alas Sue walks Franklin down to see his pops.


Reed is busy looking like an old man and putting together some new machine with the surprisingly hot She-Hulk, who is now a member of the team in the Thing's absence. As sickened as this reviewer is by people who go gaga over drawings of women in comics, he will admit that John Byrne's She-Hulk is proportionately ideal. As Reed and Shulkie continue to build the machine, Sue asks what it is, and Reed blows up like 3 pages of pseudo-science that I'm sure John Byrne thought was very clever.


Essentially the machine Reed's building pulls the kinetic energy from the sun and transfers it for use in other places, thereby giving the world a free source of energy. The only problem is that it's so much power that it makes the things it is stored in implode. It's those little kinks that make scientific discovery so much fun! As the friends are reveling in Reed's accomplishment, Wyatt calls up to tell Reed about the giant beam cutting through the land. And as any distinguished super hero would cry, Reed lets out a mighty "great scott!"


As Reed is on the phone with Wyatt, the giant destructive beam crosses next to Manhattan, and the president calls Reed and tells him to get on the case. Reed takes She-Hulk to accompany him to the desert where Wyatt initially saw the beam, and tells Sue to stay home. Sue gets quite upset, and uses her powers to trash Reed's lab. Remember kids, she's the most powerful member of the FF. Coupled with the fact that she is a woman, you don't want to make her mad.


Reed and She-Hulk head to the desert, and along the way they discuss how in her secret identity as a lawyer the She-Hulk actually encounters as many complexities as Reed does as a scientist. It's a funny thing to see how naive and innocent She-Hulk was when she first came out in comics, because now she's written as one of comics' more notorious harlots. As she and Reed fly towards the beam, he realizes that it is a search beam from a hundred light years away, which means whoever sent it was smart enough to calculate where the Earth would be in a hundred years. All of a sudden, a giant vessel of some sort descends from the great beam. Reed once again cements his old man status as he yells "great scott!" ...Shouldn't Perry White be suing him by now or something?


The beam stops, leaving a smoldering vessel on the ground. Reed and Shulkie go to investigate, and Wyatt meets up with them there. He introduces himself to She-Hulk and the romantic foreshadowing almost punches you in the face. Maybe this was the seeds of she-hulk's descent into promiscuity...

As they flirt, Reed looks over his data from tracking the beam's path across the United States. He notices the pattern, and uses his "Universal Translator" (which rivals the "Bat shark repelent" from the 1960's Batman movie as the most convenient tool EVER) to decipher that the beam actually wrote a message. The message, which is printed on a ticker tape not unlike a fortune cookie, reads "I claim this world- Terminus". As Reed looks on the back of the tape for his lucky numbers (not really!), She-Hulk asks the logical question of just who is Terminus? Well, much to no ones surprise, the once smoldering vessel that arrived with the beam stands up and reveals itself to be "Terminus...master of this planet!" She just had to go and ask, didn't she?

What I Thought- As a set up issue I liked it. You can tell this issue was resetting a few things after the Secret War mini-series had shaken up a few Marvel titles, and it's also got a lot of story beats that branch off in different directions. I've read a few of John Byrne's more current (90's) work, and it's not as tight as the storytelling in these old books. For such a prolific career, his FF work stands out to me as his defining moment. I mean, it has to be a tie with his work on "Superman- Man of Steel" from the mid 80's, but this just encompasses so much character history without reinventing it.

Despite my making fun of it, I liked the science sounding stuff in this issue. It's not often when you have to read a comic a few times just to make sure you know which kind of science it's talking about. Usually they don't even make it sound half way plausible now, as Iron Man can wear an invisible Internet on his body that can go in space and blow up tanks.

And of course, I would be remiss if I didn't mention She-Hulk's appearance in this issue. I once described the She-Hulk to my friend as that hot girl you know from a distance who seems really cool and interesting, but once you get to know her personally, she is so off-putting and repulsive you want to run in terror. I still feel that way about her, given that she was most recently written as an Ally McBeal rip-off, but it's nice to see her humble beginnings. Her personality almost seems "cute" in these FF issues, which is more fitting for someone who inadvertently gained super powers from a blood transfusion.

So overall, I really liked this issue. It's not as classic as a few of the others from the box that I've read so far, but I liked seeing Reed and She-Hulk just chilling. It would be nice to know how the rest of the story turns out, but the next review jumps forward in time. Oh well, such is the fate of he pulls from the box. Until next time, vive le Fantastique!

Friday, January 1, 2010

Fantastic Four #267




Fantastic Four #267-"A Small Loss"
Cover Date: Jun. 1984 price $.60
Cover Tagline: "In the Arms of Octopus!"
Writer/ Artist: John Byrne


Story- The story opens in a hospital waiting room. A stubbled and distraught Reed Richards stands in shock as he catches me up on what must have been last issue's cliffhanger. It seems that Reed is in need of help, and his friend Dr. Langkowski suggest they get it from Dr. Otto Octavius, also known as the criminal Dr. Octopus.

Joining Reed and Langkowski are She-Hulk (who at this point replaced the Thing as the strong person on the team), Michael Morbius, and Bruce Banner. All of them are experts in radiation and/or geniuses, so they came to help Reed figure out what's wrong with Sue, who is ailing and in the hospital. It seems Sue is in danger of losing her child due to radiation poisoning from the negative zone. Let this be a lesson to all prospective parents, don't travel interdimensionally after the first tri-meseter! We peer into She Hulk's mind and she gives some exposition about what's been going on in the last few issues. This is a kinder, gentler She-Hulk than the current version, whose comic was often a mix of Sex in the City, Ally McBeal, and dirty limericks. I dare say that Shulkie is likable in this book, but I digress...

Anyway, Reed doesn't want to involve Octavius, who is the leading authority on irradiated blood, because Octavius is a dangerous criminal. Bruce Banner tells Reed to suck it up and appeal to the scientist in Octavius, not the criminal. Reed agrees, knowing that time is of the essence.

Reed tells Sue that he needs to go and find one last expert, and though she knows something's amiss, she tells him to be careful.

Reed goes and gets a Fantasticar, and heads over to the Brookyln Psychiatric Ward. He talks to the resident psychiatrist/ pill pusher Dr. Jefferson and tells him the sitch (I hate that word, by the way, the "Ch" sound really grates on me). Jefferson is reluctant, and tells Reed to follow him. They go to Octavius' cell and find him making paper cut-outs, having reverted to a child-like state of understanding. Otto is at the point when he doesn't really even know he is really the criminal known as Dr. Octopus. Reed tells Otto that his wife and baby need help, and Otto agrees to go. Dr. Jefferson is amazed that Richards can coax Octavius in a manner befitting only a specially trained mental health specialist, but this is Reed we're talking about, the guy can do anything. The two super beings leave and the nurse comments about how it's a miracle that Reed got through to Ock. The other male psych ward holds up Ock's aforementioned cut outs, and they are in the shape of an octopus. Foreshadowing, anyone?

So Reed and Ock are going across town in the Fantasticar, discussing Sue's case. As they're flying, Ock spots a "Daily Bugle" billboard decrying the menace that is local superhero Spider-Man. Ock sees Spidey's picture, and becomes a little mentally unhinged. When Doctor Octavius often commits crimes under the alias of Doctor Octopus, he is more often than not defeated by Spider-Man, and you know villains and their grudges....

So Octopus mentally calls his detachable robotic arms, which are being transported to a prison across town, to come find him. In a scene straight out of Spider-Man 2, the arms destroy a room full of people and leap to the command of their creator. After leaving the scene of that crime, the arms attack Reed, destorying the Fantasticar and throwing Ock onto a building. Ock just sits there, controlling the arms with his mind, telling them to fight Richards. Good old Reed figures this out, and tells Ock to stop fighting him. Ock tells Reed that he knows this is all a ploy for Reed to show off his intelligence. Reed struggles with Ock's arms, which are apparently infinitely long (?????). Reed then devises that the chest plate which is connected to the arms still has a manual control, so he grabs a hold of it and controls the arms.

Now with control of Ock, Reed tells him that they need to stop fighting, because his wife and baby's lives are on the line. As a show of good faith, Reed releases the controls of the arms, and Ock knows it's serious. Reed gives him the decision to help or not, and it's left at that.

We cut to a scene with young Jonathon Storm in tears and thinking to himself "It can't have ended like this!" Alicia Masters walks up to Johnny and asks what's wrong. He drags out some words about how they've traversed the universe, face monsters, etc. etc. without telling what happened. Then Reed shows up, and Johnny's fragile state of being tells him something is really wrong. Reed rushes in yelling for his wife, and the doctor stops him.

The doctor tells Reed that Sue is fine, but she lost the baby a little over 30 minutes ago.


What I thought- I knew going into this issue that this was one of John Byrne's more famous Fantastic Four stories. I knew the basic plot and ending of the issue already from years of reading Wizard magazine and "greatest stories" countdowns, etc., but none of them prepared me for how emotionally powerful this issue was. I think it all hinges on Reed's desperation for his wife and child. The fact that he would literally do anything he could and still it's not enough casts this huge sense of powerlessness over the entire story, making it that much more dramatic. Johnny sums all this up with his bit, really describing the incredible irony of the situation. Here are beings who fought off Galactus (more than once). yet they could do nothing for this innocent child.

There's not much more I can say about this issue, other than it was the perfect mix of emotion and superheroics. Anyone who doubts Reed Richards needs to read this issue, because it speaks volumes as to his character.